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The G.A.S-station, filling station for art and impulse, Berlin, sees itself as a living space for cross-disciplinary neighborhoods. On an ongoing basis, we gather contributors from art, science and literature in our international, cross-disciplinary exhibition projects.
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Backwards 2025 – 2008
Exhibition: 1.4. – 20.6.2025
Opening hours: Wed/Thu/Fri 3-6 p.m.
With works by:
Elisa Asenbaum, Ruben Aubrecht, Thomas Born, Yikui (Coy) Gu, Marco Goldenstein, Ronald Hakel, Helen Acosta Iglesias, Draga Jovanovic, Hans Klestofer, K.U.SCH. (Renate Krätschmer, Jörg und Sito Schwarzenberger), Anna-Maria Kursawe, Dirk Müller, Erin Newell, Arnold Reinisch, Thomas Maximilian Stuck (tms), Lorelinde L.J.M. Verhees, Burchard Vossmann, Marko Zink.
Science: Franz Embacher, Vittorio Gallese, Herwig Peterlik, Hartmut Rosa, Carlo Rovelli.
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Anna-Maria Kursawe
Kopf vor blauem Asphalt, 2008
Acrylic on paper and wood,
29,4 x 33,3 cm
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Anna-Maria Kursawe
Kopf in Rot, 2008
Acrylic on canvas, 20 x 30 cm
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Lorelinde L.J.M. Verhees
Tree Hugs, 2008
photography, C-print on aluminium, 45 x 30 cm |
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Herwig Peterlik
Realraum – Objekt – reziproker Raum, 2010 |
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Hartmut Rosa
Beschleunigung. Die Veränderung der Zeitstrukturen in der Moderne, 2005 |
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Franz Embacher
Quanten und Keine ZEIT, 2011, Animation at MovingSQuare in cooperation with G.A.S-station, 2:04 min |
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Vittorio Gallese
Vision of the Body. Embodied Simulation and Aesthetic Experience, 2017
Specialist article. |
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Carlo Rovelli
Die Wirklichkeit, die nicht so ist, wie sie scheint: Eine Reise in die Welt der Quantengravitation, 2016 Buchbeitrag.
Poster and video Relational Quantum Mechanics, 1996 specialist article. |
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Ronald Hakel
Couch, 2008
200 x 150 cm, C-PRINT
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Tomax
Ampelphase, 2008
Inkjetprint on Alu-Dibond, 90 x 70 cm |
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Elisa Asenbaum
timeshift, 2025
multimediale Bildfolge 1-6 digitalprint on Alu-Dibond, Plexiglass, 70x80 cm |
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Yikui (Coy) Gu
The Longest Purple Line I Have Ever Drawn, 2009
The Longest Line I Have Ever Drawn,
pen on paper, 45 x 60 cm |
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The Longest Purple Line I Have Ever Drawn (b/w) detail, 2009 |
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Draga Jovanovic
"Your self is a reflection of myself", 2012
two photos, each 65 x 43 cm,
framed aluminium, glass,
each 80 x 60 cm |
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Julia Asenbaum
Das ICH ist Schnecke geworden, 2014
black ink, pencil on cardboard
framed 60 x 80 cm |
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Burchard Vossmann
Terror, 2014
Pigment Ink Print on Alu-Dibond,
100 x 100 cm |
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Marko Zink
Seria Schwimmer: sporthose, 2009
Diasec, on Alu-Dibond and Acrylic glass, 70 x 45 cm |
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Ruben Aubrecht
IMMATERIELL, 2002-2005
C-print on Alu-Dibond, 97,5 x 130 cm |
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Thomas Born
Bambangs Qigong
Pigment-Inkjet-Print Edition bildo /8‘/5‘,
73 x 42 cm |
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Hans Klestorfer
urs und greta, 2006
b/w photo, 30 x 45 cm
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Yikui, (Coy) Gu
Black Where it Matters, 2010
digitally manipulated photograph,
on Alu-Dibond, 50 x 25 cm |
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Arnold Reinisch
Desperate Housewives – Carmen, 2009
Photo out of the seria Resurr۩tion,
40 x 30 cm |
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Helen Acosta Iglesias
sie träumte, 2015
Print on film, glass, 36 x 36 cm |
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Asenbaum/Stuck,
Poem (English): Elisa Asenbaum
reduction, 2018
Object: Figur 15 cm, Acrylglass Ø 15 cm, H. 25 cm, Pedestal 130 x 30 cm, Spotlight |
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K.U.SCH. (Renate Krätschmer, Jörg und Sito Schwarzenberger)
Hohlheit der Fülle / Ein Multipack der großen Atempausen”, 2010
Object (plastic, textile) 60 x 43 x 18 cm
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Erin Newell
Let Fall, 2009
printmaking sculpture, 26 x 50 cm
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Elisa Asenbaum
Thomas Maximilian Stuck
Spiegel Schein, 2017
language sculpture, Poem: E.Asenbaum. Acrylic glass, 2 sheets a 200x80x2 cm
The large sculpture Spiegel Schein consists of two slotted sheets of acrylic glass connected at right angles. Highlighted by white-blue light strips of light on the underside, the light refracts at the engraved letters, making them glow. The lines of the poem are arranged so that at a cursory glance the one side may appear like a reflection of the other. But the left verse ‘reflection’ contemplates perception, terms and language, thought and recognition, while the right verse ‘appearance’ reflects light, aura, dazzle, seduction, and the desire for lightness. However, if one reads the lines as one consecutive text, yet another sense emerges. |
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top page |
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| Actual at Schaufenster |
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Elisa Asenbaum,
SHIFT
Picture story - Collage (photo, drawing and Text)
daily: 10 am–8 pm at Schaufenster
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